Good Afternoon Students,
I know you all are enjoying your break! I spoke with Akilah and I am glad to hear that despite the break, you all are still working. Now, she informed me that you had questions. I am going to attempt to answer them below.
(1) Email me your blog addresses by Sunday at 12 pm. (NOON) moorea5@fultonschools.org
(2) It was your job to record your poets. I can't really say more than that. If you don't remember, well... (You are AP level seniors. I expect the best from you)
(3) You can create on any blog site or template as long as it allows you to add commentary, others can respond to your post, and you can add videos and photos.
I think that is about it! I look forward to seeing what you have done!
Peace and Blessings,
Mrs. Moore-Webb
Friday, January 31, 2014
Sunday, January 26, 2014
FYI
Guys and Dolls,
I hope you have had a chance to view the videos I have placed on our blog. They are both really informative and inspirational. If I get enough views, that could be a possible Motivational. Also, work on your Poetry Project. I want to have all blog addresses by Friday!!! This coming Friday!!!
Peace and Blessings,
Mrs. Moore
I hope you have had a chance to view the videos I have placed on our blog. They are both really informative and inspirational. If I get enough views, that could be a possible Motivational. Also, work on your Poetry Project. I want to have all blog addresses by Friday!!! This coming Friday!!!
Peace and Blessings,
Mrs. Moore
Friday, January 17, 2014
AP Literature and Composition Poetry Project
|
·
·
Begin by reading the poets in Perrine's Literature: Structure, Sound, and Sense. You have a wonderful choice of poems to start with
there. Take time to read books by at least five poets before you make your
decision. I also have a list as well.
· Create an index card for each poet you have investigated.
·
For the project you will complete a Poetry Blog discussing at least 20
poems (Ten from each poet) and following these directions:
o Create your own Blog page for
the poems.
o You will have a posting for each
poem.
o With each poem, include your
commentary. The length of your commentary should be 300 - 500 words for each
poem. Use your Perrine’s Literature:
Structure, Sound, and Sense text as a resource.
o Include a link on your post for
a visual 01' auditory image that relates to
your poem. Also include images that relate to your poem.
o Your commentary should be
informal, in a conversational style, and may include personal reaction or
response to the poetry. However, you must include observations about
stylistic elements that can be developed later in the formal, analytical
paper you will write in the future. You want to address the following information:
A. The poet's name and the title B. A general description of the themes you noticed, C. The type of figurative language or imagery used (abstract or concrete/ subject matter), D. The structure (regular or irregular rhyme and meter), and tone Submit your first Blog post by Friday January 31, 2014, at 4:00 pm. Each subsequent post should be up every other day. All students must visit at least three other blogs and comment. |
| You
will have to show proof that you have responded to all of your classmates.
o The
second step of our project is to complete a poetry analysis.
After you have received a grade and feedback on your
post, write a formal analysis of one of the poems you have explicated
on your Blog post. Examine the stylistic elements of the poem and explain how
these elements convey a particular theme or tone. You will present one of
these critical essays to our class. For the essay, you are to use either
biographical information or literary criticism you have found on your poet
from another source. Submit your papers to me on February 27, 2014. A Works Cited page will be required.
Extra credit: Letter to your poet:
o Email your author or find a mailing address
through one of the
following sources:
·
Current
Biography
·
Contemporary
Authors
·
Call the 800
number for the publisher. Be assertive and patient as you negotiate your way
through the corporate maze to find what you want
·
If your
author works at a university or is affiliated with a college, call the academic
department and ask someone how you can write to the author.
Letters should be mailed or emailed before our last class, May 2. Turn in a copy of your letter
or email to me so that I can read it before it is mailed.
|
Suggested contemporary poets
|
My former
students have found their work with these poets particularly rewarding. The
poet you choose must be living, and you should be able to find both
biographical and critical material about him or her. c
|
Kim Addonizio
|
Lawrence Ferlinghetti
|
Carolyn Kizer
|
Sherman Alexie
|
Carolyn Forche
|
Maxine Kumin
|
Julia Alvarez
|
Dana Gioia
|
Stanley Kunitz
|
Margaret Atwood
|
Nikki Giovanni
|
Thomas Lux
|
Amiri Baraka
|
Albert Goldbarth
|
Paul McCartney
|
Marvin Bell
|
Jorie Graham
|
David Mason
|
Wendell Berry
|
R. S. Gwynn
|
Heather McHugh
|
Robert Bly
|
Rachel Hadas
|
W.S. Merwin
|
Eavan Boland
|
Robert Hass
|
Joni Mitchell
|
David Bottoms
|
Seamus Heaney
|
Paul Muldoon
|
E. K. Braithwaite
|
Anthony Hecht
|
Naomi Shihab Nye
|
Fred Chappell
|
Jane Hirschfield
|
Sharon Olds
|
Judith Ortiz Cofer
|
Andrew Hudgins
|
Mary Oliver
|
Leonard Cohen
|
Mark Jarman
|
Robert Pack
|
Billy Collins
|
Jay-Z
|
Linda Pastan
|
Annie Dillard
|
X. J. Kennedy
|
Marge Piercy
|
Diane diPrima
|
Carolyn Kizer
|
Robert Pinsky
|
Rita Dove
|
Yusef Komunyakaa
|
Adrienne Rich
|
Bob Dylan
|
Ted Kooser
|
Kay Ryan
|
Martin Espada
|
Galway Kinnell
|
Charles Simic
|
Poetry
Project resources for contemporary poetry
|
Paul Simon
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Timothy Steele
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Anne Waldman
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Stephen Sondheim
|
Mark Strand
|
Alice Walker
|
Dave Smith
|
James Tate
|
Richard Wilbur
|
Gary Snyder
|
Diane Thiel
|
C. D. Wright
|
Cathy Song
|
Natasha Trethewey
|
Kevin Young
|
Gary Soto
|
Quincy Troupe
|
Al Young
|
A. E. Stallings
|
Derek Walcott
|
Thursday, January 16, 2014
Questions for Chapter 8 4-B
1.
What preoccupies Guitar’s dreams on a daily
basis?
2.
What was Guitar able to predict based on the
climate of the country’s culture?
3.
How does Guitar respond to Milkman’s proposal?
4.
What is the conflict the two men have in
reference to getting the gold? What does this say about where each one is
mentally?
5.
There was something Milkman wanted to know about
Guitar. What is it?
6.
Read the section coming up very carefully and
then discuss the symbolism of the white peacock.
7.
How do you think the following quote relates to
the story’s theme? What can you predict will happen as a result of this
analysis?
“Can’t nobody fly with all that shit. Wanna
fly, you got to give up the shit that weighs you down.”
8.
How does the bird set the men up? What would the
two men do with their money?
9.
What plan do the two men put together?
10.
What was so ironic about the bag of “gold”?
11.
What does Milkman hear as they grab the gold?
Where do we believe that noise is coming from?
12.
Who sees them and what does the person wonder?
Questions for Chapter 10 Continued... Due FRIDAY!!! 3-B
1.
Where were Milkman’s grandparents from?
2.
What was the one wish Milk had for Circe?
3.
Why did the lady of the house end her life,
according to Circe’s understanding?
4.
Who is Jake?
5.
What is happening to Milk while he is literally searching
the cave?
6.
What does Milkman find in the cave?
7.
How does Milkman end up leaving the plantation?
8.
Why is the man insulted by Milk offering money?
9.
What questions does Milkman have at the end of
Chapter 10?
10.
Where does he go to find those answers?
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